Ian Haig works across media, from video, sculpture, drawing, technology based media and installation. Haig’s practice refuses to accept that the low and the base level are devoid of value and cultural meaning. His body obsessed themes can be seen throughout a large body of work over the last twenty years. Previous works have looked to the contemporary media sphere and its relationship to the visceral body, the degenerative aspects of pervasive new technologies, to cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror and the defamiliarisation of the human body.
ian haig
Pox Party, 2022
Bloodwork AB+NFT, 2022
Peek-a-Boo, 2022
Organ Failure, 2021
Flesh Extender, 2020
Meatspace, 2019
VDR, 2016
Tinky Winky, 2015
The Screen of Flesh, 2015
The New Turing Test, 2014
Fleshify the World: Planet of the Inner Body, 2014
Fleshify the World, 2013
The Frozen Dead - cinematic homeostasis device, 2013
Workshop of filthy creation, 2013
Night of the Living Hippy, 2012
Some Thing, 2011
The Joey Machine, 2011
Twitch Of The Death Nerve, 2011
GooTube, 2010
Zoso, 2007
Sick, 2006
The Dirt Factory, 2005 - 2009
Futurotica, 2003 - 2005
Human Aquatic Breeding Center, 2003
Premonition, 2003
Brain Tumour Helmets with Microwaves, 2002
Excelsior 3000 - bowel technology project, 2001
Anti Ergonomic Hump machine, 2001
Colossus: Super Human Factory Online project, 2000
Web Devolution, 1998
Trick or Treat, 1997
Mighty Morphin Muscle Men, 1996
Hack, 1992
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