Ian Haig works across media, from video, sculpture, drawing, technology based media and installation. Haig’s practice refuses to accept that the low and the base level are devoid of value and cultural meaning. His body obsessed themes can be seen throughout a large body of work over the last twenty years. Previous works have looked to the contemporary media sphere and its relationship to the visceral body, the degenerative aspects of pervasive new technologies, to cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror and the defamiliarisation of the human body.
ian haig
The Joey Machine, 2011
Sculpture
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In the 1950s at the Sonya Shankman Orthogenic School in Chicago, Illinois, noted child psychologist Bruno Bettelheim treated an autistic child who came to be known as ‘Joey the mechanical boy’. Joey’s every human action was taken over by his imaginative fantasy that he was a machine. Bettelheim published his research into Joey’s condition in Scientific American in 1959.

The Joey machine is a recreation of Joey’s bed machine apparatus built to ‘live him’. The drawings, too, are a recreation of those produced by Joey while in the care of Bettelheim, which point to extended machine and bodily fixations. The Joey machine, is not an exact replica, more a fusion of Joey’s fantasy world of machines, bodily fluids, shit and vacuum tubes.

The Joey machine is a complex and precise technological apparatus as dreamt up by the mind of a six-year-old autistic child. The complexity of the machine and its variety of functions were partly unknown, however the primary function of the machine seemed to be designed to isolate Joey from being human. For Joey, his bed machine, and the other machines he created and imagined in his drawings, were his reality and anything outside of it were less than reality.

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