Ian Haig works at the intersection of visual arts and media arts. His work explores the strangeness of everyday reality and focuses on the themes of the human body, devolution, abjection, transformation and psychopathology, often seen through the lens of low cultural forms. Previous works have explored the toxicity of celebrity culture, the science fiction of sexuality, the degenerative and malign aspects of pervasive new technologies, to cultural forms of fanaticism and cults. Over the years the trajectory of Haig’s iconoclastic vision has encompassed everything from site-specific installation projects, super 8 movies, interactive sculpture, comics, noise music, to animations, videos, drawings, web projects, to large-scale gallery installations.
His work has been exhibited in galleries and video/media festivals around the world. Including exhibitions at: The Australian Centre for Contemporary Art, Melbourne; The Experimental Art Foundation, Adelaide; The Australian Centre for the Moving Image, Melbourne; The Museum of Modern Art, New York; Artec Biennale – Nagoya, Japan; Centre Georges Pompidou, Paris; Art Museum of China, Beijing and The Torrance Art Museum,Los Angeles. In addition his animation and video work have screened in over 120 Festivals internationally. In 2003 he received a fellowship from the New Media Arts Board of the Australia Council.
Chronicles of the New Human Organism, 2010
Skin Freak, 2012
Liberv rel reguli, 2005
How to make a monster, 2005
Eastland Shopping Centre 1975, 2005
I was made for loving you, 2004
Ectoplasmic baby fat provider, 2002
Super Human Factory online, 2000
Psycho Samba, 1999
Trick or treat, 1998
God Bless Charlton Heston, 1986
Screamin' Mimi's, 1984