Ian Haig works across media, from video, sculpture, drawing, technology based media and installation. Haig’s practice refuses to accept that the low and the base level are devoid of value and cultural meaning. His body obsessed themes can be seen throughout a large body of work over the last twenty years. Previous works have looked to the contemporary media sphere and its relationship to the visceral body, the degenerative aspects of pervasive new technologies, to cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror and the defamiliarisation of the human body.
ian haig
The Foaming Node, 2018
X Æ A-Xii, 2023
AI Lobotomy, 2023
Agenda 2030 mystery meat convenience store, 2022
Useless Eaters, 2022
Dehumaniser, 2022
Alien vs Predator, 2020
Corrupted Blood Phones, 2020
Video Streaming Service, 2020
Ash Reprogrmmed, 2020
TripAdvisor, 2020
On a clear day you can see forever, 2019
Hershey Experimental Batch: 113-1916, 2019
Untitled Syndrome, 2017
Organphilia, 2017
Automated Tongues (Good Taste), 2016
The Video Hole, 2016
Analogue, 2016
Human Test Pattern, 2015
Blood Brain Barrier, 2015
Disfigurement - The History of Art, 2014
Another Brutally Satisfying Video, 2014
Meat friends on the internet, 2014
Skin Freak, 2012
Chronicles of the New Human Organism, 2010
Liberv rel reguli, 2005
How to make a monster, 2005
Eastland Shopping Centre 1975, 2005
I was made for loving you, 2004
Ectoplasmic baby fat provider, 2002
Super Human Factory online, 2000
Psycho Samba, 1999
Trick or treat, 1998
Snap, Crackle, Die, 1989
God Bless Charlton Heston, 1986
Screamin' Mimi's, 1984
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